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MyProductionPortal
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Messageboard forum for free job listings and free listing of film and TV services in pre-production, production and post-production red camera Panasonic sony DV DVCpro Betacam DigiBeta A&B Rolls Academy Aperture Academy Leader A.D.R. Anamorphic Answer Print Aperture Apple Box Arm Aspect Ratio A.S.A. A-Wind and B-Wind Backwind Balance Stripe Barndoors Barney Base Bayonet Best Light Bin Black Leader Blow Up Blow Down Blimp Blimped Camera or Self-Blimped Camera Bolex Bounce Card Bracketing B-Wind Cable Sync The Call Camera Core Camera Original Camera Noise Camera Reports Camera Roll Camera Stock Camera Tape Canted Angle Cement Splice Changing Bag Check Print “Cheat” Cinch Marks Clamp Light Clapper Clapstick Clap Board C-Mount Co-axial Magazine Code Numbers Colorist Color Temperature Conformations Conforming Contact Printing Continuity Coocoloris Cookie Core Corrected Print Corrections Coverage C.R. Critical End! Cross Modulation Test Cross Processing Crystal Sync C.T.B. C.T.O. C-Stand Cue Sheets Cut Cutaway Dailies Daylight Balanced Daylight Spool Depth of Field Diffusion Diopter Dissolve Dolly Shot Double Exposure Double Perf Double Reel Double System Double System Projector Dubbing Dupe Dutch Tilt Edit Editing Bench Editing Bin Editorial Sync Edge Fog Edge Numbers or Latent Edge Numbers E.D.L. E.C.N. E.I. Emulsion Emulsion Batch Emulsion Leader Emulsion Type Eye Line Estar Base Exciter Lamp Exposure Index Extention Tube Fade 5,400K Filler Fill or Sound Fill Film Cement Film Speed Film Plane Filter Fixed Focal Length Lens Flag Flare Flash Frame Flatbed Flex-Fill Focal Length Fog Foley Follow Focus Footage Foot Candle Frame Frame Handles Frame Line French Flag F-stop Fullcoat Gaffer’s Tape Gate Gauge Gel Gobo Groundglass Guillotine Halation Half Apple Halogen Handheld Head Head Room Hi Hat HMI Hot Splicer House Lights Hyperfocal Distance Incident Light Reading Infinity Insert Shot Interlocked Internegative Interpositive Intervalometer Iris I.S.O. Jump Cut K Kelvin Lab Roll Latent Edge Numbers Latitude Lens Flare L.F.O.A. Lights Lightleak Lip Sync Loading Booth Location Sound Locked Cut Locked Down Shot Long Lens Loop Looping Low Con Print Macro Lens Mag Magazine Mag Stock, Mag Track or Magnetic Film Mark “Mark it!” Master Shot Matte Box Matte Shot M&E Mix Mixer Mixing House Mix Master M.O.S. The Movement Moviola Moviscop Negative Negative Cutter or Negative Matcher Non-Reflex Normal Lens Nose Room One Light Optical Printing Optical Sound Optical Track Opticals Orange Stick Original O.C.N. Outdated Stock Outtakes Overcrank Overexposure Paper Tape Pan Parallel Editing Perf Pigeon Pilottone Pitch Picture Pix Photo Flood Plastic Leader Polyester Base P.O.V. Shot Practical Preroll Pressure Plate Print Print Stock Printer’s Sync Production Sound Projection Sync Pull Down Pulldown Claw Pull Processing Pull Up Push Processing Quarter Apple Quartz Light Quick Release Quick Release Shoe Rack Focus Rank Raw Stock Reaction Shot Recans Reduction Print Reel Reflective Light Reading Reflector Board or Reflector Card Reflex Registration Registration Pin Release Print Resolver Reversal Reverse Shot Rewinds Rivas Room Tone Rough Cut Rushes “Safety” Sandbag Scene Scratch Scratch Mix Scratch Test Scratch Track “Second Sticks!” Selects Silent Camera Silent Speed Single Perf Single Reel Single System Sharpie Shooting Ratio Shortends Shot The Slate Slop Print Slug S.M.P.T.E. Leader Soft Light Sound Blanket Sound Reader Sound Speed Sound Slug Spacer Specifics “Speed!” Spider Spikes Splice Splicing Tape Split Reel Spool Down Spot Meter Split Screen Spreader Spring Lock Sprocket Sprocket Holes Spun Squawk Box Streamer Steenbeck The Sticks Stinger Stripe Super 16 Super Speed Superimposition Sync Syncing Sync Mark Synchronizer Sync Sound Tachometer Tail Tail Slate Take Take Up Reel Take Up Spool The Taking Lens Tape Splice Telecine Telephoto 3,200K Tie-In Kit Tight Wind Tight Wind Hub Tilt Time Lapse Timed Print Timer Timing Timing Lights Timing Report Tone Tracking Shot Trims Trim Bin Tripod Head T-Stop Tungsten Turret Ultra-Sonic Cleaner Ultra-Sonic Splicer Undercrank Underexposure “Unprofessional” Upright Moviola or Upright Vari Speed Vault Box Wet Gate Wide Lens Wild Wild Sound Workprint A Wrap or “It’s a Wrap!” Xenon Zero Cut Zoom Lens Subject Index The Film Itself Aspect Ratio A-Wind and B-Wind Double Perf Edge Fog Edge Numbers or Latent Edge Numbers E.C.N. Emulsion Emulsion Batch Emulsion Leader Emulsion Type Estar Base Flash Frame Fog Gauge Halation Latent Edge Numbers Lightleak Original O.C.N. Outdated Stock Perf Pitch Polyester Base Raw Stock Recans Reversal Scratch Single Perf Shortends Sprocket Holes Super 16 Camera equipment Barney Blimp Blimped Camera or Self-Blimped Camera Bolex Co-axial Magazine Diopter Film Plane French Flag Gate Groundglass Handheld Intervalometer Mag Magazine Matte Box The Movement Non-Reflex Pressure Plate Pulldown Claw Reflex Silent Camera Tachometer Take Up Spool Turret Vari Speed Lenses Anamorphic Aperture Bayonet C-Mount Depth of Field Extention Tubes Fixed Focal Length Lens Flare Focal Length F-stop Groundglass Hyperfocal Distance Infinity Iris Lens Flare Long Lens Macro Lens Normal Lens Super Speed The Taking Lens Telephoto T-Stop Wide Lens Zoom Lens The Tripod Hi Hat Quick Release Quick Release Shoe Spreader Spider The Sticks Tripod Head Exposure Aperture A.S.A. Bracketing Depth of Field E.I. Emulsion Type Exposure Index Film Speed Foot Candle F-stop Incident Light Reading Iris I.S.O. Latitude Overexposure Reflective Light Reading Spot Meter T-Stop Underexposure Color Film Color Temperature C.T.B. C.T.O. Daylight Balanced 5,400K Filter Gel K Kelvin 3,200K Tungsten Lighting and Grip equipment Barndoors Bounce Card Clamp Light Coocoloris Cookie C.T.B. C.T.O. C-Stand Diffusion Flag Flex-Fill Gel Gobo Half Apple Halogen HMI K Pigeon Photo Flood Practical Quarter Apple Quartz Light Reflector Board or Reflector Card Sandbag Tie-In Kit Tungsten Raw Materials, production Camera Core Camera Tape Core Daylight Spool Gaffer’s Tape Orange Stick Sharpie Types of Shots and Coverage Cutaway Canted Angle “Cheat” Continuity Coverage Dolly Shot Dutch Tilt Eye Line Follow Focus Insert Shot Handheld Head Room Locked Down Shot Master Shot Matte Shot M.O.S. Nose Room Parallel Editing P.O.V. Shot Rack Focus Reaction Shot Reverse Shot “Safety” Shot Take Tracking Shot The Call The Call “Mark it!” “Second Sticks!” “Speed!” Tail Slate A Wrap or “It’s a Wrap!” Other Shooting Techniques Backwind Double Exposure Overcrank Pan Superimposition Time Lapse Tilt Undercrank Other Production Terms Academy Aperture Cable Sync Camera Reports Camera Roll Changing Bag Clapper Clapstick Clap Board C.R. Crystal Sync Flare Interlocked Lightleak Loading Booth Mark Scratch Test Silent Speed Shooting Ratio The Slate Sound Speed Spikes Spool Down “Unprofessional” Wild Sound A.D.R. Balance Stripe Camera Noise Cross Modulation Test Cue Sheets Double System Dubbing Exciter Lamp Fill or Sound Fill Fullcoat Lip Sync Location Sound Mag Mag Stock, Mag Track or Magnetic Film M&E Mix Mixer Mixing House Mix Master M.O.S. Optical Sound Optical Track Pilottone Production Sound Pull Down Pull Up Resolver Room Tone Scratch Mix Single System Sound Reader Sound Speed Sound Fill Sound Slug Specifics Stripe Sync Sound Tone Wild Sound Editing Academy Leader Bin Code Numbers Conformations Core Cut Dissolve Double Reel Double System Projector Edit Editing Bench Editing Bin Editorial Sync Edge Numbers or Latent Edge Numbers Fade Filler Flash Frame Flatbed Frame Frame Handles Frame Line Guillotine Head Hot Splicer Jump Cut Locked Cut Moviola Moviscop Outtakes Paper Tape Parallel Editing Picture Pix Plastic Leader Reel Rewinds Rivas Rough Cut Rushes Selects Single Reel Sharpie Shot Slug S.M.P.T.E. Leader Spacer Splice Splicing Tape Split Reel Spring Lock Squawk Box Streamer Steenbeck Superimposition Sync Syncing Sync Mark Synchronizer Tail Take Up Reel Tape Splice Tight Wind Tight Wind Hub Trims Trim Bin Upright Moviola or Upright Vault Box The Laboratory Answer Print Check Print Dailies Best Light Blow Up Blow Down Contact Printing Corrected Print Corrections Cross Modulation Test Cross Processing Dupe House Lights Internegative Interpositive Lab Roll Low Con Print One Light Optical Printing Opticals Print Print Stock Printer’s Sync Projection Sync Pull Processing Push Processing Reduction Print Rushes Slop Print Timed Print Timer Timing Timing Report Ultra-Sonic Cleaner Wet Gate Workprint Negative Cutting A&B Rolls Black Leader Cement Splice Conforming E.D.L. Film Cement Hot Splicer Negative Negative Cutter or Negative Matcher Original O.C.N. Ultra-Sonic Splicer Zero Cut Video Transfer Colorist E.D.L. Low Con Print Pull Down Pull Up Rank Telecine Ultra-Sonic Cleaner
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