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LOGNETMEDIA - Producent i dystrybutor AERO 5.1, WALKABOUT, MYSZLANDIA, X-SPORT Bluetooth, Słuchawki, AERO5.1, G-point, , MAGA, piloty uniwersalne, pilot uniwersalny, SUNWAVE, Cyberpunk Plug, penmouse
akcesoria komputerowe i multimedia LOGNETMEDIA
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UNDERSTANDING the BASICS of HARMONY, Study Harmony with Pierre McNicoll, a Must for Any Serious Musician.
Understanding the Basics of Harmony will provide you with a concise and simple method for analyzing chord progressions and for understanding which chords are appropriate to use within different styles of music such as Jazz and Pop. The book covers many important subjects such as: harmony in both major and minor keys, secondary dominants, extended dominants, chordscales theory and modes, tensions, notes to avoid, II-V-I cadences, tritone substitutions, modal interchange chords, chord inversions, hybrid modulation, diminished turnarounds, harmony, blues harmony etc. this book is a must for anyone wishing improve improvisation skills, arranging and jazz/pop composition.
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Larissa Goldston Gallery
Larissa Goldston Gallery is pleased to present Monochromes, the gallery's second solo exhibition of work by Amy Vogel. The exhibition will be on view from March 25 through April 30. There will be an opening reception for the artist on March 24 from 6 to 8pm. The tradition of monochrome painting has a history of nuances and extremes, from Turner's chiaroscuro studies to Malevich's 'White on White' to Richard Artschwager's Celotex paintings. This endless history of unresolved tensions are played out over the mutable surface of a painting.Drawing on her experiences in the rural landscape of Michigan ’s Upper Peninsula and the urban streets of Addis Ababa, Ethiopia, Vogel's new monochromatic paintings are muted and quiet; they transform nature by depriving it of color. Nature in these paintings is never far from human nature and the touch of human presence. The place is only incidental in relation to how it is ultimately shaped by the people who move through it and by the blur of time. The paintings are themselves blurs – wipes, smears, smudges, streaks, washes, splashes – but these marks are less impressions than they are marks of existence in a world without clear definition.
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